Manual SMC Networks Stage Piano

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  • SMC Networks Stage Piano - page 1

    V O L U ME M AX M IN A L B UM P D F w u r de m i t pd f F a c t o r y - Pr ü f v e r s i on e r s t e ll t. www . c on t e x t - g m bh . de ...

  • SMC Networks Stage Piano - page 2

    U s i n g th e I n s t r u c t i o n M a n u al T h a n k y o u f o r p u r c h a s i n g t h i s h i g h qua l i t y Di g i t a l P i a n o . Y o u r ne w P i a n o i s ea s y t o u s e a n d e a s y t o t r a n s p o r t. I t ha s p o w e r f u l a n d u s e f u l f e a t u r e s t h a t m a k e i t pe r f e c t f o r r e a l - t i m e pe r f o r ...

  • SMC Networks Stage Piano - page 3

    M ai n F e a tu r es K e y b oa r d : 8 8 H a m m e r A c t i o n K e ys M o d i f y i n g P a r a m e t e r s : U s e t h e r o un d D I A L a n d t h e [ + ]/ t h e [ - ] b u t t o n s o r n u m e r i c k e y p ad t o s e l e c t M e n u s an d P a r a m e t e rs P r o g r a m ( V o i c e ) : T h e r e a r e 3 5 0 i n c r e d i b l e s o u n d p ...

  • SMC Networks Stage Piano - page 4

    3 C o n t e n ts G e n e r a l gu i de T h e c onn ec t o rs B a s i c op e r a t i on V o i c e e ff e ct S t y le F un c t i on - T h e p o w e r j a ck - T h e h e ad p h o n e j a ck - T h e A U X .O U T j a ck - T h e A U X .I N j a ck - T h e s u s t a i n j a ck - T h e v o l u m e j a ck - T h e M I D I I N /O U T j a ck 1 . D e f a u l t a ...

  • SMC Networks Stage Piano - page 5

    G e n e r a l gu i de 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 29 16 30 17 31 18 32 19 33 20 34 21 35 22 36 23 37 24 38 25 39 26 40 27 41 28 42 43 M AS T E R V O L U ME A CC O MP B R I L L I A NC E S L I D ER S O N G T R A CK R E C O RD P L AY A CC O M P V O L U M E +/- S T A R T / S T OP I N T RO F I L L - I NA F I L L - I NB E ND I NG S Y N C S T A RT ...

  • SMC Networks Stage Piano - page 6

    Th e c o n n e c to rs T h e r e a r e t w o h e a d p h o n e s j a ck s . J a c k 1 l e ts y o u l i s t e n t h r o u g h B O T H t h e h e a d ph o n e s a nd i n t e r n a l s p e a k e r s , j a c k 2 l e t s y o u l i s t en t h r o u g h t h e H E A D P H O N E S O N L Y ( d i sc o n ne c ts t h e i n t e r n a l s p e a k e r s ). “” ? ...

  • SMC Networks Stage Piano - page 7

    A n op t i o n a l f oo t s w i t c h c a n b e p l ug g e d i n t o t he S U S T A I N j a c k f o r s u s t a i n c o n t r o l . T h e f o o t s wi t ch f u n c t i on s l i k e t h e s u s t a i n p e d a l o n a p i a n o. M I D I s t an d f o r M u s i c a l I n s t r u m en t Di g i t al I n t e r f a c e . M I D I i s a w o r l d wi d e s t ...

  • SMC Networks Stage Piano - page 8

    B a si c op e r a t i on 7 D e f a u l t a n d R e s e t s e t t i ng M a ste r v o l u m e c on t r ol B r i lli a n ce D e mo T o r e s e t t h e i n s t r u m e n t t o t h e F A C T O R Y D E F A U L T ( I n c l u d i n g M e m o ry d a t a , R e c o r d da t a , L a n gu a g e s e t , SY N T H d a t a e t c . ) , p r e s s t h e [ + ] / [ -] b ...

  • SMC Networks Stage Piano - page 9

    V o i c e e f f e ct N o t e: T h e r e a r e 3 5 0 V O I C E S . ( S e e " A P P E N D I X1 V O I C E L I S T " ) w h i c h i n c l u d e s 2 9 3 G M S o u n d s, 3 5 C h i n e s e S o u n d s , 1 3 p e r c u s s i o n S e ts a n d 9 U s e r S o u n d s. W he n t h e v o i c e f e a t u r e i s a c t i v a t e d , t h e L CD h i g h l i ...

  • SMC Networks Stage Piano - page 10

    N o t e: P r e s s t h e [ L O W E R V O I C E ] b u t t o n . L C D li gh ts t h e l o w e r i c o n a n d " V OI C E L " . T h e L CD h i g h l i g h t s t h e V o i c e n a m e o n up p e r li ne 1 4 4 S o un d T r a ck 1 ". U s e t h e [ + ] a n d t h e [ - ] b u t t o n o r t h e D I A L a nd nu m e r i c k e y p a d t o s e l e ...

  • SMC Networks Stage Piano - page 11

    H a r m o n y e ffect T o u c h r e s p o n se T r a n s p o se P i t c h b e n d / m od u l at i o n j o ys t i ck N o t e: T u r n i n g t h e D S P O N / O F F w h i l e y o u ' r e p l a y i ng wi l l i n t e r f e r e w i t h t h e s ou nd 1. 1. 1. 1. 2. 2. 2. 2. T h e r e a r e8 H a r m o n y t y p e s . ( S e e F UN C T I ON m e n u f o ...

  • SMC Networks Stage Piano - page 12

    S t y le S ty l e se l e ct S t y l e st a rt 1. 1. 2. 2. 3. 3. 4. 4. T h e r e a r e 1 3 0 s t y l e s a t a l l . ( S e e " AP P E N D IX 3 S T Y L E L I S T ") W he n p o w e r i s o n , t h e L C D d i s p l a y s t h e s t y le n a m e " 0 0 1 8 B e a t 1 " a t t h e b o tt o m l i n e. P r e s s t h e [ S T Y L E ] b u tt ...

  • SMC Networks Stage Piano - page 13

    F i l l i n A /B S ty l e s t op I n N O R M A L m o d e , p r e s s t h e [ F I L L - I N A ] b u tt on t o i n s e r t a 1 - m e a s u r e f i l l a n d L C D f l a s h es " N O R " i c o n . T h e n , i t r e t u r n s t o t h e N O R M AL s t y l e p l a y i n g. I n V A R I A T IO N m o d e , p r e s s t h e [ F I L L - I N B] b u tt ...

  • SMC Networks Stage Piano - page 14

    A C C O M P v o l u me A u t o b a s s c h o rd 1. 1. 2. 2. 3. 4. 5. P r e s s t h e [ A C C O M P V O L U M E + ] o r t he [ A C C O M P V O L U M E - ] b u t t o n . L C D d i s p l a ys A cc o m p V o l u m e = 0 2 1 r e s s t he [ A C C O M P V O L U M E + ] a n d t h e [ A C C O MP V O L U M E - ] bu tt o n o r t h e [ + ] a n d [ - ] b u t t ...

  • SMC Networks Stage Piano - page 15

    T e m po 1. 1. 2. 2. 3. 3. P r e s s t h e [ T E M P O + ] o r t h e [ T E M P O - ] b u tt o n to a d j u s t t h e t e m p o . T h e t e m p o v a l u e w il l f l a s h. I t c a n b e a d j u s t e d i n t h e r a n g e o f 3 0 - 2 8 0. P r e s s t h e [ T E M P O + ] a n d t h e [ T E M P O -] s i m u l t a n e o u s l y t o r e t u r n t o t h ...

  • SMC Networks Stage Piano - page 16

    N o t e: P r e s s t h e [ F U N C T I O N ] b u t t o n t o e n t e r t he m e t r on o m e m e n u . P r e s s t h e [ N E X T ] b u t t o n to e n t e r i t s s u b - m e nu . L C D d i s p l a y s " m e t r o n o me O FF " . U s e t h e [ + ] a n d [ - ] o r D I A L t o s e l e c t t he m e t r on o m e t y p e . I t i n c l u d e s & ...

  • SMC Networks Stage Piano - page 17

    5. 1. 2. 3. H a r m o n y T y pe Y o u c a n ad da v a r i e t y o f h a rm o n y n o t e s t o y o ur p e r f o r m a n c e i n t h e r i g h t - h a n d s e c t i o n. A t o t a l o f 8 d i f f e r e n t h a r m o n y t y p e s a re a v a i l a b l e . U s e t h e d i a l , t h e [ + ] bu t t o n o r t h e [ -] b u tt o n t o s e l e c t t h e h ...

  • SMC Networks Stage Piano - page 18

    4. 5. 6. 7. T E M PO T E M PO T E M PO T E M PO V EL V EL V EL V EL M E A S U RE M E A S U RE M E A S U RE M E A S U RE B E AT B E AT B E AT B E AT M E M O RY M E M O RY M E M O RY M E M O RY T I CK T I CK T I CK T I CK O . T . S. O . T . S. O . T . S. O . T . S. V O I C E R 2 O C T A VE V O I C E L O C T A VE P I T C H B E N D RA N GE S P L I T P ...

  • SMC Networks Stage Piano - page 19

    1. 2. 1. 8. T E M PO V EL M E A S U RE B E AT M E M O RY T I CK O . T . S. P E D A L A S S I GN I n t h e p e d a l a s s i g n s e t t i n g , t h e L C D d i s p l a y s t he c u rr e n t p e da l a ss i g n n a m e . A t o t a l o f 5 d i f f e r e nt a ss i gne d p e d a l s a r e a v a il a b l e. U s e t h e d i a l , t h e [ + ] b u t t o n ...

  • SMC Networks Stage Piano - page 20

    2. 1. 1. 1. 2. 2. 2. 3. K e y b o a rd I n t h e k e y b o a r d s e t t i n g , t h e L C D d i s p l a y s V o i ce R 1 V o l u m e V o i c e R 2 V o l u m e V o i c e L V o l u me v a l u e c i r c u l a r l y . T h e d e f a u l t v a l u e i s 2 7 28 1 2 r e s p e c t i v e l y. S e t t h e v a l u e w i t h t h e d i a l , t h e [ + ] b u t t ...

  • SMC Networks Stage Piano - page 21

    1. 1. 1. 2. 3. 2. 2. 3. 4. N o t e: T h e m e m o r y d a t a c a n b e r e s e r v e d e v e n i f t h e p i a n o i s s w i t c h e d o ff. T o c l e a r a l l m e m o r y d a t a a n d r e s t o r e t h e d e f au l t s e tt i n g , p r e s s t h e [ S T O R E ] ,[ M 1 ] s i m u l t a neo u s l y b e f o r e t u r n i ng o n t h e p i a no. P r ...

  • SMC Networks Stage Piano - page 22

    P e d al V a r i o u s f u n c t i o n s c a n b e a ss i g n e d t o t he f o o t s w i t c h c o nne c t e d t o t h e S U S T A I N j a c k. T h e p o l a r i t y o f t h e f o o t s w i t c h c a n a l s o be s e l e c t e d. P r e s s t h e [ F U N C T I O N ] b u t t o n t o e n t e r t he " U T I L I T Y " m e n u . P r e s s t h e ...

  • SMC Networks Stage Piano - page 23

    S y nth T h e S Y N T H f un c t i o n p r o v i d e s t h e t o o l s f or c r e a t i n g n e w t on e s . S i m p l y s e l e c t o n e of t h e 3 2 8 t o n e s a n d e d i t i t s p a r a m e t e r s t o c r e a te y o u r o w n o r i g i na l s o u n d. P r e s s t h e [ S Y N T H ] b u t t o n . T h e SY N T H i c on a p p e a r s o n t h e L ...

  • SMC Networks Stage Piano - page 24

    A l b um 1. 2. 4. 3. 5. T h e r e a r e 1 0 0 a l b u m s o n g s a t a ll ( s e e " AP P E N D I X 6 a l b u m l i s t " ). T h e s e p a r a m e t e r s c a n n o t b e c h an g e d. T h e y i n c l ud e V OI C E R 1 / R 2 , D S P, a c c o m p a n i m en t t y p e , O C T A V E , H A R M O N Y e t c. P r e s s t h e [ A L B U M ] b u t ...

  • SMC Networks Stage Piano - page 25

    R e c o rd 1. 2. T he r e a r e 2 s o n g s n a m e d U s e r S o n g 1 a n d U s e r S o n g 2 t h a t c a n b e r e c o r de d . E v e r y s o n g i n c l u de s 1 A C C O MP t r a c k a n d 4 M E L O D Y t r a cks . R e c o r d e d da t a c a n b e s t o r e d w h il e p o w e r i s o ff . P r e s s t h e [ R E C O R D ] a n d t h e [ P L A Y] b ...

  • SMC Networks Stage Piano - page 26

    1. 1. 2. 3. 2. R ec o r d s t op R ec o r d p l ay S t o p A u t o m a t i c a l ly S t o p M a n u a lly P r e s s t h e [ E N D I N G ] bu t t o n w h e n t h e s t y l e is p l a y i n g d u r i n g r e c o r d i n g . I t w il l s t o p r e c o r d i ng a u t o m a t i c a ll y a f t e r t h e e n d i n g p l a y i n g i s o v e r. I f t h e c ...

  • SMC Networks Stage Piano - page 27

    S MC 1. T h e r e i s a s t a nd a r d S M C ( S m a r t M e d i a C a r d) e x t e r na l i n t e r f a c e w h i c h s u p p o r t s c a r d s o f 16 M B / 3 2 M B / 6 4 M B / 12 8 M B c a p ab i li t y o n t h e p i a n o. I t i s c o m p a t i b l e wi t h t h e f il e sy s t e m f o r m a t of t h e M S - D O S F A T 1 2 / 1 6 . P r e s s t h ...

  • SMC Networks Stage Piano - page 28

    N o t e: Lo a d M e m o r y F ile Lo a d S on g F i le I f t h e t r a c k n u m b e r o f t h e f il e i s o v e r 24 , " F ile T r a c k E rr o r " w i l l b e d i s p l a y e d t e m p o r a r i l y on L C D a n d i t w i l l e x i t S M C s t a t u s. I f t h e t i c k n u m b e r o f o n e b e a t i s o v e r 9 6 0 or b e l o w 2 4 , ...

  • SMC Networks Stage Piano - page 29

    1. 2. 3. S a v e f ile S a v e M e m o r y D a ta S a v e S o n g F i le F il e n a m e I n p ut P r e s s t h e [ S A V E ] b u t t o n . T h e S M C i c o n is li gh t en e d o n L C D . T w o f il e t y pe s t ha t c a n be s a v e d a r e d i s p l a y e d o n t h e l a tt i c e a r e a wi th t w o li n e s , t h e c u r r e n t t y p e i s h i ...

  • SMC Networks Stage Piano - page 30

    Y o u c a n e d i t t h e c ha r a c t e r s i n p u t wi t h t h e [ S H I FT ] , [ D E L E T E ] , [ B A C K ] , [ N EX T ] b u t t o n w he n i n p u t t i n g t h e c ha r a c t e r. P r e s s t h e [ N E X T ] bu t t o n t o e n d t h e f i l en a m e i np u t , " O p e r a t i o n C o m p l e t e d " i s d i s p l a y e d t e m p o ...

  • SMC Networks Stage Piano - page 31

    M I DI W h a t i s M I DI M I D I C on n e c t i on C o n n e c t i o n r u l es S a m p l e C o nn e c t i o n m e t h od M a j o r A p p l i c a t i on T h e p i a n o a s t h e H o st T h e p i a n o a s t h e s l a ve C o n n e c t t h e M I D I i n t e r f a c e wi t h P C a n d u s e s e q u e n ce r s o f t w a re M I D I i s t h e a b b r e ...

  • SMC Networks Stage Piano - page 32

    H e lp T h e H E L P f u n c t i o n p r o v i de s y o u a s i m p l e o p e r a t i on g u i d e f o r t h e c u r r e n t s t a t u s j u s t p r e s s a n d h o l d t he [ H E L P ] b u tt on. R e l a t i v e c o n t e n t s a r e d i s p l a y e d o n t h e l a t t i c e a r e a a nd t h e n i t g o e s t o t h e n e x t s c r e e n a u t o m ...

  • SMC Networks Stage Piano - page 33

    S p ec i f ic a t i o ns K e y b o a rd V o i ce S t y le D e m o S o ng A l bu m S o ng D i s p l ay S w i t c h a n d B u t t o ns A c c o m p a n i m e n t C o n t r ol S e qu e n c er P a n e l M e m o ry P e d a ls C on n e c t o rs S p e a k er D i m e n s i on W e i ght 8 8 h a m m e r a c t i o n k e ys 3 5 0 V o i c es 1 3 0 S t y l es 3 D ...

  • SMC Networks Stage Piano - page 34

    A p p e nd i x 1 - V o i c e li st P i a n o1 P i a n o So ft P i a n o T end er S tr i n g a n d P i an o1 S tr i n g a n d P i an o2 P i a n o M EL Bri g h t P ia no S t e r e o P i a no H o nk y T onk D u a l P i ano A D E P1 4 P P i an o1 C o f f e r P i ano Las t Y e a r EP E P C up E P Air I m ag e EP Sn o w EP E l ec t r i c P i a no E P wr ...

  • SMC Networks Stage Piano - page 35

    A p p e nd i x 2 - S t y l e l ist 8 B e at 001 8 B ea t1 002 8 B ea t2 003 8 B ea t3 004 8 B ea t4 005 8 B ea t5 006 8 B ea t6 007 8 B ea t R o ck 008 8 B ea t P op 1 6 B e at 009 1 6 B e a t1 010 1 6 B e a t2 0 11 1 6 B e a t3 012 H i p H op 013 1 6 B e a t F unk 014 F u n k P op 015 F u s i on 016 J a z z R o ck 017 S hu ff le B a l l ad 018 B a ...

  • SMC Networks Stage Piano - page 36

    A p p e nd i x 3 - C h o r d l i st 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 M a j o r [ M] M a j o r s i x t h [ 6] M a j o r s e v e n t h [ M 7] M a j o r s e v e n t h a d d s h a r p e l e v en t h [ M 7 ( # 1 1 )] M a j o r ad d n i n t h [ M 9] M a j o r s e v e n t h n i n t h [ M 7 ( 9 )] S i x ...

  • SMC Networks Stage Piano - page 37

    A p p e nd i x 4 - D e m o l i st A p p e nd i x 5 - A l b u m l i st NO N a me 01 W o r ld 02 J a zz 03 T r an ce 0 01 B l e s s i ng 0 02 Th e M o o n R ep r e sen t s M y H e a rt 0 03 M a y I H u g Y o u? 0 04 W h e t he r I S h o u l d G o Aw ay Q u i e t ly 0 05 B eau t l y A n d T h e B ea st 0 06 London d e r r y A ir 0 07 S e r e n a de 0 ...

  • SMC Networks Stage Piano - page 38

    A p p e nd i x 6 - MI D I i m p l e m e n t i o n c h a rt F u n c t i on T r an s m i t t ed R e c o g n i z ed R e m a r ks B a s i c D e f a u lt C h a n ne l C ha n g ed 1 ch 1 - 1 6 ch A LL 1 - 16 ch D e f au lt M od e M e ss ag es A l t e r ed × × * * * * * * * * * ** 3 3 × N o te N u m b e r : T r u e v o i ce 0 — 127 * * * * * * * * * ...

Manufacturer SMC Networks Category Electronic Keyboard

Documents that we receive from a manufacturer of a SMC Networks Stage Piano can be divided into several groups. They are, among others:
- SMC Networks technical drawings
- Stage Piano manuals
- SMC Networks product data sheets
- information booklets
- or energy labels SMC Networks Stage Piano
All of them are important, but the most important information from the point of view of use of the device are in the user manual SMC Networks Stage Piano.

A group of documents referred to as user manuals is also divided into more specific types, such as: Installation manuals SMC Networks Stage Piano, service manual, brief instructions and user manuals SMC Networks Stage Piano. Depending on your needs, you should look for the document you need. In our website you can view the most popular manual of the product SMC Networks Stage Piano.

A complete manual for the device SMC Networks Stage Piano, how should it look like?
A manual, also referred to as a user manual, or simply "instructions" is a technical document designed to assist in the use SMC Networks Stage Piano by users. Manuals are usually written by a technical writer, but in a language understandable to all users of SMC Networks Stage Piano.

A complete SMC Networks manual, should contain several basic components. Some of them are less important, such as: cover / title page or copyright page. However, the remaining part should provide us with information that is important from the point of view of the user.

1. Preface and tips on how to use the manual SMC Networks Stage Piano - At the beginning of each manual we should find clues about how to use the guidelines. It should include information about the location of the Contents of the SMC Networks Stage Piano, FAQ or common problems, i.e. places that are most often searched by users in each manual
2. Contents - index of all tips concerning the SMC Networks Stage Piano, that we can find in the current document
3. Tips how to use the basic functions of the device SMC Networks Stage Piano - which should help us in our first steps of using SMC Networks Stage Piano
4. Troubleshooting - systematic sequence of activities that will help us diagnose and subsequently solve the most important problems with SMC Networks Stage Piano
5. FAQ - Frequently Asked Questions
6. Contact detailsInformation about where to look for contact to the manufacturer/service of SMC Networks Stage Piano in a specific country, if it was not possible to solve the problem on our own.

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