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Yamaha M3000-24 - page 1
Owner’ s Manual Mode d’emploi Bedienungsanleitung M MIXING CONSOLE ...
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Yamaha M3000-24 - page 2
2 Introduction Thank you for pur chasing the Y amaha M3000 mixing console. The M3000 is based on Y amaha ’ s experience with the PM ser ies, and features superb sound quality w ith a full range of functionality such as V CA faders, sc ene memor y , and GA di versity . In or der to take full ad vantage of the M3000’ s performance and enjoy long ...
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Yamaha M3000-24 - page 3
3 Contents Features of the system ...............................5 Control panel............................................ 6 Input channel section ................................................ 6 Variable/fixed select section.................................... 13 Mix section .............................................................. 14 VCA ...
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Yamaha M3000-24 - page 4
4 Precautions • Connect the mix er powe r cord only t o the power supply unit, and connect the po wer supply unit to an A C outlet of the ty pe stated in this Ow ner’ s M anual or as marked on the power supply unit. Failure to do so is a fir e and electrical shock hazard. • Do not locate the mix er in a place subject to e xc essive heat or i ...
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Yamaha M3000-24 - page 5
5 Features of the system • The M3000-40C pr ovides a generous number of input modules; 40 monaural and 4 stereo (the M3000-24 provides 24 monaural and 4 stereo). Ster eo output, 16 mix outputs, and 8 matrix outputs are provided in addition. The M3000 is suitable for use in a wide range of applications, such as the main mix er for sound reinforc e ...
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Yamaha M3000-24 - page 6
6 Control panel Input channel section Mono input channels The M3000-24 provides 24 input channels, and the M3000-40C provides 40 input channels. All input channels hav e the same specifications. A Phantom pow er s witch/ +48 V indicator This switch turns the +48 V phantom powe r on/off for each channel. When phantom po wer is on, the +48 V indicat ...
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Yamaha M3000-24 - page 7
Control panel 7 I M1–M8 s witches These switch on/off the signal which is sent from the input channel to MIX buses 1–8. J M1–M8 mix le v el controls These controls send the signal fr om the input channel to MIX buses 1–8. W hen the c ontrol is in the “ ▲ ” position, the level is nominal (0 dB). U se the PRE switch ( P ) to switch betw ...
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Yamaha M3000-24 - page 8
Control panel 8 Q ST (stereo) s witch W hen this switch is on, the signal of the input channel will be sent to the (ST) stereo bus. R PA N control This sets the panning of the signal that is sent from the input channel to the ST bus. S ON/EDIT s witch/ ON , CHECK indicators The function of this switch and these indicators will depend on the mode of ...
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Yamaha M3000-24 - page 9
Control panel 9 U VCA GROUP select s witches These switches select the V CA master fader(s) which will control the signal output level of this channel. W hen you select a V CA group 1–8, the indicat or located at the left of each sw itch will light, and the corresponding V CA master fader (V CA master section 3 ) will control the channel. I t is ...
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Yamaha M3000-24 - page 10
Control panel 10 Stereo input channels The M3000 provides four ster eo input channels. Ste- reo sound sourc es such as sub-mix ers, effect proces- sor , or CD play ers can be input to the INPUT A jacks (XLR connect ors) or INPUT B jacks (RCA phono connect ors) located on the rear panel. A GAIN A control This control adjusts the input sensiti vit y ...
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Yamaha M3000-24 - page 11
Control panel 11 G M1–M8 mix le vel controls These controls c ombine the stereo signal fr om the ste- reo input channel int o a mono signal, and send it to MIX buses 1–8. W hen the contr ol is in the “ ▲ ” posi- tion, the level is nominal (0 dB). U se the PRE switch ( M ) to switch between pr e/post fader . H M9–M12 s witches These are ...
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Yamaha M3000-24 - page 12
Control panel 12 N ST (stereo) s witch W hen this switch is on, the signal of the input channel will be sent to the (ST) stereo bus. O BA L (balance) control This sets the left/right balance of the sig nal that is sent from the input channel t o the ST bus. P ON/EDIT s witch/ ON , CHECK indicators The function of this switch and these indicators wi ...
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Yamaha M3000-24 - page 13
Control panel 13 V ariable/fixed select section The M3000’ s GA (Group/A ux) div ersity function allows MIX buses 1–8 to function either as gr oup buses or as A UX buses. In this section, y ou can switch each pair of MIX buses (1/2, 3/4, 5/6, 7/8) between functioning as group buses or as A UX buses. A V ariable/fix ed select s witches These s ...
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Yamaha M3000-24 - page 14
Control panel 14 Mix section These output channels contr ol the signals of MIX buses 1–16. MIX buses 13/14 and 15/16 are c ontrolled as stereo pairs r espectively . The signal that passes through these output channels is output individually from the MIX OUT 1–16 jacks (page 27), and can also be sent to the MAS AFL bus, MAS PFL bus, ST bus, and ...
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Yamaha M3000-24 - page 15
Control panel 15 MIX buses 1–8 MIX buses 9–12 MIX buses 13–16 (SUB)(ST) from INPUT MIX 3-4, 5-6, 7-8: Same as MIX 1-2 MIX 2: Same as MIX 1 to Meter VARIABLE FIX AFL PFL LR O N MAS AFL MAS (MIX) TO MATRIX CONTROL ON CHECK ON/EDIT MIX OUT 1 AFL TO STEREO PAN TO MATRIX MIX INSERT I/O ST R L LR MIX (FIX) MIX (VARIABLE) 1 3 5 7 12345678 2468 9 1 1 ...
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Yamaha M3000-24 - page 16
Control panel 16 VCA master fader section The V CA mast er fader section allows the gain of input channels assig ned to a V CA g roup to be contro lled as a whole by the co rresponding V CA fader . The V CA group(s) to which eac h input channel is assigned is specified by the V CA GROUP select switches (mono input channels ( U ), stereo input c ha ...
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Yamaha M3000-24 - page 17
Control panel 17 A T O MA TRIX s witch W hen this switch is on ( ), the ST OUT A post- fader signal is sent to the matrix. B ON/EDIT s witch The function of this switch and indicator will depend on the mode of the M3000. ● In normal mode The ON/EDIT switch will turn ST OUT A on/off. W hen on, the ON indicat or will lig ht. W hen off, no signal w ...
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Yamaha M3000-24 - page 18
Control panel 18 STEREO B section This section controls the signal which is output fr om the rear panel ST OUT B jacks (page 28) A LEVEL control This controls the output lev el of the signal which is sent from the ST OUT B jacks. It does not affect the signal which is output from the ST OUT A jacks. W hen the control is in the “ ▲ ” position ...
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Yamaha M3000-24 - page 19
Control panel 19 Monitor section In this section y ou can select the signal which will be monitored fr om the MONIT OR OUT jacks and the PHONES jack. The following signals can be selected as monitor sourc es. Signal sources in priorit y group 1 can be selected at an y time, and signal sources in pri- ority g roup 2 can be selected only when no sign ...
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Yamaha M3000-24 - page 20
Control panel 20 G LEVEL control This control adjusts the lev el of the signal which is output from the MONIT OR OUT jacks. It does not affect the PHONES jack. H ON s witch This is an on/off switch for the signal which is output from the MONIT OR OUT jacks. W hen this is on, the indicator located abo ve the switch will light. This switch does not a ...
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Yamaha M3000-24 - page 21
Control panel 21 T alkback section A M1–M2 s witch B M3–M4 s witch C M5–M6 s witch D M7–M8 s witch E M9–M12 s witch F M13–M16 s witch G ST s witch These switches send the talkback or test tone oscillat or signal to MIX buses 1–2, MIX buses 3–4, MIX buses 5–6, MIX buses 7–8, MIX buses 9–12, MIX buses 13– 16, or the ST bus. Th ...
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Yamaha M3000-24 - page 22
Control panel 22 Meter select section In this section y ou can select the source whose lev el will be shown in the meter bridge section. Only one of the sources 1 – 3 can be select ed. A M1–M8 s witch W hen this switch is turned on, the M1/M9/ MA TRIX1–M8/M16/MA TRIX8 meters (page 25) will show the output levels of MIX OUT 1–8. A t this tim ...
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Yamaha M3000-24 - page 23
Control panel 23 A UTILITY s witch Pr ess this switch t o enter U tility mode, where y ou can make settings for scene memories and MIDI, etc. W hen you are in U tility mode, the indicat or located abov e the switch will lig ht. B RECALL s witch U se this switch to recall sc enes from scene memory . If you select a sc ene which has not been stored a ...
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Yamaha M3000-24 - page 24
Control panel 24 Matrix section The M3000 provides eight matrices which allow output signals from the MIX buses 1–16 or the ST bus, or input signals from MA TRIX SUB IN to be mixed at the desir ed level. Matrix 1–8 are output in mono fr om MA TRIX OUT jacks 1-8 respectively (page 27), and can be used as foldback or for an individual monitor sys ...
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Yamaha M3000-24 - page 25
Control panel 25 Meter bridge A M1/M9/MA TRIX1–M8/M16/MA TRIX8 lev el meters As selected b y the switch settings of the METER SEL section (page 22), these meters indicate the output levels of MIX OUT 1–8/MIX OUT 9–16/MA TRIX OUT 1–8. Each meter has a PEAK indicat or which lights 3 dB before peak level. B STEREO A lev el meters These meters ...
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Yamaha M3000-24 - page 26
26 Rear panel Mono input channel input/out- put jacks A INPUT jacks These are XLR -3-31 t y pe input jacks (balanced). N ominal input level is –16 dB ~ –60 dB when the 26 dB pad switch (page 6) is off, or +10 dB ~ –34 dB when the pad switch is on. W hen the rear panel PHANT OM MASTER switch and the phantom pow er switches for the correspondin ...
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Yamaha M3000-24 - page 27
Rear panel 27 Master section input/output jacks F MIX INSERT I/O jac ks These are TRS phone jacks for inserting external sig- nal processors int o MIX buses 1–16. Nominal input/ output level is 0 dB. Pin wiring is as follows. G STEREO INSERT I/O jac ks These are TRS phone jacks for inserting external sig- nal processors int o the ST bus. N ominal ...
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Yamaha M3000-24 - page 28
Rear panel 28 L ST OUT A/B jacks These are XLR output jacks (balanced) for outputting the signals from the STEREO A/B sections. N ominal output level is +4 dB for both sections. Pin wiring is as follows. M MONIT OR OUT jacks These are XLR output jacks (balanced) for monit or- ing the monitor sourc e selected on the contr ol panel. N ominal output l ...
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Yamaha M3000-24 - page 29
Rear panel 29 U MIDI IN/OUT/THRU connectors These are standard fiv e-pin MIDI connect ors. B y c on- necting a sequencer or personal c omput er t o these c on- nectors, you can select sc enes remotely , or backup sc ene memories. I f two or more M3000 consoles ar e con- nected via MIDI, a sc ene selection on one M3000 can simultaneously switch the ...
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Yamaha M3000-24 - page 30
30 About the GA Diversity functionality The GA Div ersity functionalit y of the M3000 allows you t o switch the MIX buses 1–8 between acting as group buses (output level from the input c hannels will be fixed) or acting as A UX buses (output level from the input channels will be variable). This functionality lets you use MIX bus pairs 1/2, 3/4, ...
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Yamaha M3000-24 - page 31
31 About the Scene Memor y function What is scene memor y? Scene memory is a function which stores the on/off status of the mono/stereo input channels and of MIX buses 1–12, 13/14, 15/16 and ST A as one of 128 “sc enes. ” A scene that has been stor ed can be recalled instantly at a touch of a sw itch. It is also possible to select sc enes rem ...
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Yamaha M3000-24 - page 32
About the Scene Memory function 32 Operations in normal mode Storing a scene (normal mode) 1. Mak e sure that the M3000 is in normal mode, and use the ON/EDIT s witches of the mono/ste- reo input channels, the mix section and the STE- REO A section to make the desired on/off settings. 2. Use the scene memory section ▲ / ▼ switches or the 0–9/ ...
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Yamaha M3000-24 - page 33
About the Scene Memory function 33 Operations in check mode In check mode y ou can verify the settings of a scene before recalling it, or edit the on/off status of the ON/ EDIT keys without affecting the internal audio sig- nals. T o mov e from normal mode to check mode, press the CHECK switch in the scene memory section. V erifying a scene before ...
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Yamaha M3000-24 - page 34
About the Scene Memory function 34 Operations in utility mode In utility mode you can modify various settings related t o scene memory oper ations. Operations such as Bulk Out and Bulk Dump R equest are also per - formed in this mode. Basic operation in utility mode 1. When the M3000 is in normal mode, press and immediately release the scene memor ...
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Yamaha M3000-24 - page 35
About the Scene Memory function 35 responding pr ogram change message will be tr ansmit- ted. If this is set to “ ” (local), the co rresponding program change will be tr ansmitted even when y ou select a scene for which data has not been sa v ed, th us allowing you t o select pr ograms on an external device. (control change transmission/recepti ...
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Yamaha M3000-24 - page 36
About the Scene Memory function 36 • If the CC (control change) parameter of utility mode is set to “ ” (m ute group), only control change numbers (105–112) which correspond to mute groups will be tr ansmitted or received. Using mute groups W hen the utility mode oP (recall operation) parame- ter is set to “ ” (refer t o page 34), the D ...
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Yamaha M3000-24 - page 37
About the Scene Memory function 37 Adding/defeating mute groups 1. Store the channel or b us mute settings that y ou wish to use as a mute group in a memory num- ber 1–8. 2. In utility mode , select the oP (recall operation) item, and s witch the displa y to “ . ” (F or details ref er to page 34.) 3. Either press and hold the UTILITY s witch ...
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Yamaha M3000-24 - page 38
38 About the VCA functionality The V CA master section of the M3000 contains eight V CA master faders. These V CA master faders 1–8 can be used to contr ol the overall input lev el of input channels assigned to the corresponding V CA groups 1–8. If you wish to use the V CA functionality , set the r ear panel V CA MASTER/SLA VE sw itch to the MA ...
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Yamaha M3000-24 - page 39
About the VCA functionality 39 Using two or more VCA master faders to control a single channel As the opposite of the example on the previous page, it is also possible to assign a channel to tw o or more V CA g roups. The following diagram shows an exam- ple of signal flow when channel 1 is assigned to V CA groups 1, 5, and 8. • If an input chan ...
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Yamaha M3000-24 - page 40
About the VCA functionality 40 • If the V CA MUTE switch of a V CA master fader is turned on (the indicator beside the switch will light), the post-fader signal of all input channels assigned to that V CA g roup will be muted. This is con v enient when you wish to simultaneously mut e or un-mute multiple channels without operating the faders. • ...
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Yamaha M3000-24 - page 41
41 Error messages One of the following error messages may appear in the MEMOR Y displa y while operating the M3000 or when the power is turned on. If this occurs, refer to the following explanations and take the appr opriate action. (* is an error number) An error occurred while receiving MIDI data. If an error occurs while received MIDI data, this ...
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Yamaha M3000-24 - page 42
42 Specifications General specifications 0 dB is referenced to 0.775 Vr ms. T otal Har monic Distor tion Less than 0.1% (THD+N) (Master output) 20 Hz–20 kHz @ +14 dB 600 Ω Less than 0.05%(2nd-10th) 20 Hz–20 kHz @ +14 dB 600 Ω F requency Response 0+1, –3 dB (Master Output) 20 Hz–20 kHz @ +4 dB 600 Ω Hum & Noise (20 Hz–20 kHz)*1 ...
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Yamaha M3000-24 - page 43
Specifications 43 Input/output characteristics Input specifications • 0 dB=0.775 Vrms. *1 XLR connectors are balanced. *2 XLR connector is unbalanced. *3 Phono Jac ks are unbalanced. *4 SUB IN Phone Jac ks(TRS) are unbalanced(T=SIGNAL, R=GND , S=GND). *5 INSERT Phone J acks(TRS) are unbalanced(T=OUTPUT , R=INPUT , S=GND). *6 Sensitivity is the l ...
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Yamaha M3000-24 - page 44
Specifications 44 Other Connector wiring DC POWER INPUT VCA EXTERNAL I/O Included items P ow er supply connection cable (3 m, 10 pin) Pin No. Signal name 1 P ow er supply remote 2 +15 V 3 ± 15 V GND 4 +48 V GND 5 –15 V 6 +12 V 7 +12V GND/ power supply remote 8 P ow er supply remote 9 +48 V 10 FRAME GND Pin No. Signal name 1 VCA GROUP 1 2 VCA GRO ...
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Yamaha M3000-24 - page 45
45 D: 874 H: 265 W: 2043/40ch W: 1515/24ch Units: mm Dimensions ...
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Yamaha M3000-24 - page 46
46 MIDI data format 1. MIDI Channel The same channel is used for transmission and recep- tion. Select from channel numbers 1–16. 2. MIDI Program Change Pr ogram change numbers 0–127 correspond to Sc ene M emor y numbers 1–128. This correspondence can- not be changed. Ho wever when M ute Group is selected, program change numbers 0–7 cannot b ...
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Yamaha M3000-24 - page 47
47 IDI Implementation Char t M YAMAHA [MIXING CONSOLE] Date:Apl/08, 1998 Model : M3000 MIDI Implementation Chart Version : 1.0 Function... Transmitted Recognized Remarks Basic Default 1 - 16 1 - 16 Memorized Channel Changed 1 - 16 1 - 16 Default x OMNI off/OMNI on Memorized Mode Messages x x Altered ************** x Note x x Number : True voice ...
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Yamaha M3000-24 - page 48
V302330 R2 1 AP 148 NP Printed in T aiwan Y AMAHA CORPORA TION Pro A udio Di vision, #18/3 P .O . Box 3, Hamamatsu, 430-8651, J apan ...
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