Manual Gibson Guitars 1550-07 GUS

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  • Gibson Guitars 1550-07 GUS - page 1

    O W N E R ’ S M AN U A L ...

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    15 50-0 7 GUS ...

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    © 2 00 7 Gib son G uit ar Co rp . ...

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    T o th e ne w Gi bson ow ne r: C on gra tu l ati on s on th e p ur ch as e of you r new Gi bs on ele ct ri c gu it ar —t he wor ld ’ s mo st fam o us el e ct ri c gui t ar f ro m t he lea d er o f f ret t ed i ns tr u m e n t s . P le as e ta ke a fe w m inu t es to a cq uai n t yo ur se lf wit h t he i n for ma ti on in t hi s b oo kle t r e g ...

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    Th e Com pon en ts of t he S oli d bod y E lec tri c Gui ta r 4 G ibs on Inn ova t ion s 6 Th e His tor y o f Gi bso n Ele ctr ic Gui ta rs 8 DE SI GN AN D CO NST RUC TIO N B o d y 1 3 N ec k and H ead sto ck 1 3 P i c k u p s 1 4 C o n t r o l s 1 5 B r i d g e 1 7 T a i l p i e c e 1 8 CA RE A ND M AINT EN ANC E F i n i s h 1 9 Y our Gu ita r on ...

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    6 S t r a p B u t t o n S t o p b a r T a i l p i e c e T u n e - o - m a t i c B r i d g e Th e C om pon e nts o f th e So li db od y E lec tr ic Gu it ar Feat u rin g a Les Paul S t a n d a r d in Her itage C h e r ry S unb urs t 12 th Fr e t M a r k e r / I n l a y N e c k F r e t N u t H e a d s t o c k F i n g e r b o a r d T u n i n g K e y s ...

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    7 S t r a p B u t t o n S t o p b a r T a i l p i e c e T u n e - o - m a t i c B r i d g e T he Com po nen ts of the So li db od y E lec tr ic Gui ta r Feat u rin g a V -F act or F ade d in W o r n Cher ry 12t h F r e t M a r k e r / I n l a y N e c k F r e t N u t H e a d s t o c k F i n g e r b o a r d T u n i n g K e y s M a c h i n e H e a d s ...

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    6 H e r e are ju s t a f ew of t h e G ib so n in no v at io ns th at ha ve re sh ap e d th e gu it a r wo rl d : 18 94 – F i rst ar c ht op g ui ta r 19 22 – F i rst ƒ- ho le ar c ht op, t he L - 5 19 36 – F i rst pr of e ss ion a l q ual i ty el ec tr ic gu it ar , t he ES -1 5 0 19 47 – P -9 0 s i ngl e- co il p ic kup in t r o d u c e ...

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    7 1 95 8 – F i rs t s em i- ho ll ow bo d y g uit ar , th e E S- 335 1 96 1 – S G b od y s t yl e in t rod u ce d in t he L es Pa ul li ne 1 96 3 – F i r e b i r d gu it ar s a nd Th un de rb ir d b as se s int r o d u c e d 1 96 9 – L es Pa u l Pe rs o na l a nd Pr of es si on a l wi t h lo w- im pe d anc e p i ck up s i nt r o d u c e d 1 ...

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    8 A BRIE F HIS TO RY OF GIB SO N ELE C TR IC G UIT A R S G i b s o n ’ s le g e nd ary a co us ti c e n gi ne e r , L lo yd Lo ar , w as e xp er im en ti n g w it h e le ctr ic i n st r u m e n t s i n 19 24 , at th e d awn of el e ctr o ni c am pl i fi ca ti on . H owe v er , G ibs o n’ s st ru g gl e to do mi na te th e b an jo m ark et t oo ...

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    9 T he fi rs t p o st wa r G i bs on e le ct r ic s f ol l owe d t h e p re wa r c on ce pt o f an e le ct r ic gui t ar as a co nv ent i on al aco u st ic arc h to p w it h a p ick u p i ns ta ll ed on t he to p. Gi bs on ad de d a sec on d p ic ku p to th e ES -3 00 in 19 48 and th en bec a me the f ir st com p any t o o ffe r a th r e e - p i c ...

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    10 I n 1 95 4 t he gr owi n g p op ul a rit y o f t he Le s P au l Mode l pr om pt ed Gib s on to ex pa nd th e l in e. On t he h i gh e nd , th e Le s P aul Cus t om s por te d an Eb on y fin i sh a nd lo w fr et s fo r fa st act i on , an d i t i mme d ia te ly g ai n ed t wo n i ck na me s: th e B lac k Be a ut y a nd t he Fr et le s s W o n d e ...

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    11 T he b od y o f t he L es P au l J r . r ec ei ve d a pa ir o f r oun de d h orn s to b ec om e G ibs o n’ s fi rs t do u ble - c uta way s o lid bo d y . An d the fi n ish col or on th e Le s Pa ul Mod el wa s c ha ng ed to Ch er ry S un bu rs t, w hic h le t the gra i n of th e map l e top sho w thr o ug h. T he mo de l na me wa s cha ng ed ...

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    12 I n r e sp ons e to th e r i si ng de ma nd f or 19 50 s- s ty le Le s P au ls, t he c ar ve d- to p m ode l s w er e r e i n - t r od uc e d in 19 6 8. A ne w mod e l, th e Le s Pa u l Del ux e, f ea tu ri n g mi n i- hu mb uc ki ng pic ku ps a p p e a r e d i n 1 9 69. T he Sp ec ia l w as re vi ve d i n the 1 97 0 s a nd th e J r . r e a p p ...

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    13 D ESI GN AND CO NST RU CTI ON B o d y . T he so l idb od y g uit a r wa s inv e nt ed to in cr eas e sus t ai n, p rod u ce a br il lia nt to ne , a nd e li mi na te f eed b ac k ca us ed b y a v ib rat in g top . Th es e qu al it ie s ar e en ha nc ed b y w oo d wi th hi gh d e n s i t y , s uch a s map le . Le s Pa ul wo ul d ha v e p r e f e ...

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    14 N ec k Sp ec if ic a ti ons . G ibs o n des i gn s it s gu i tar nec ks t o com p le me nt and en ha nc e t he un iq u e c ha ra c ter is ti c s of e ac h mod e l. N ec k p r of il e s c a n be “ rou nd e d ’5 0s” or “ sl im ’6 0s” ( or a s li gh t V -s ha p e ava il ab le onl y on th e Bl ues H aw k) . Sc al e le ng th (s tr in g le ...

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    15 w it ho u t th e “d o g ear s” are n ick n am ed “s oa p ba r” b ec aus e th e or ig in al cr e a m - c o l o r e d p la st i c c ov er s on th e 19 52 Le s Pa ul Mo de l re se m ble d bar s o f s oa p. Wh en th e P- 90 wa s in tr o d u c e d i n 194 6, i t wa s th e mo s t pow e rf u l pi ck up of its k ind . An d it st il l is . Am on ...

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    16 V ol ume co nt r o l s : Th e tw o k nob s c lo s est to th e fi ng e rb oa rd co nt ro l the v ol um e o f th e pi ck u ps . T he vo l um e k no b n e ar es t t h e b ri dg e c o nt ro ls th e “f r ont ” or ne c k p ic ku p; t he k nob n ea re st t he e dg e of t he gu it ar co nt ro ls th e “b a ck ” o r b ri dg e p ic ku p. T on e con ...

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    17 T he T un e- o-m at ic Br idg e . Th e T un e- o- ma ti c b r id g e a llo w s fo r a dj us tm e nt i n o ve ra ll br i dg e h e ig ht a nd in di vi d ual s tr in g le ng th . He ig ht is adj u st abl e up and d own b y mea n s o f th um b wh ee ls u nd er t he b ri dg e a t e it he r e nd . E ac h st ri n g s a dd le i s adj u st ab le f or w a ...

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    18 T he t un e- o- ma t ic br id ge wa s d esi gn e d to ad ju st f or st ri ng ch a ng es (ga u ge or ty pe ) an d ot he r p hy sic a l c h ang es b ut n ot fo r p rob l em s w it h in to na t ion du e to st ri n g w ea r . S ho uld a st r ing l os e i ts int o na tio n d u e to w ea r , we st ro ng ly rec o mm en d cha ng i ng th e st rin g a nd ...

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    19 C ARE AND MA IN TEN AN CE F i n i s h . A Gi bs o n in st ru m ent al wa ys a tt ra ct s att e nt ion , w het h er i t is on a con ce r t st ag e be fo r e t hou s a nd s or on a gu i ta r st a nd in a ho me st ud io . Aft er th e cla ss ic bo dy li ne s o f a Gi bso n , t he f in is h m ak es th e st r on ge st im pr e s s i o n . P er sp ir at ...

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    20 H ea t a n d c ol d: G i b s o n ’ s n i tro c ell u l ose f in is h c a n e xp a nd or co n tra ct t o a d ju st t o e xt re me t em - p e r a t u r e s an d hu mi dit i es —b ut not to su dd e n c ha ng es i n te mp er at ur e or hu m idi ty . Ju st a s a h ot d rin k wi ll c rac k a c h ill e d g l ass , t he f in i sh of a Les P au l w i ...

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    21 A v oi d s ha r p b lo w s to any p ar t o f yo u r i ns tr um e nt . B e p a rti c ul ar ly al e rt t o p os si b le bl ow s t o th e b ac k of th e h ea ds toc k, mac h in e he ad s (t un er s) , an d in th e ne ck he el are a. Man y he ad st o ck b r ea ks ar e th e res ul t of a gu it ar bei n g kno ck ed ov er or dr opp e d wh ile it ’ s ...

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    22 W he n ch a ng in g st r ing s , we re co mm en d ch a ng in g on e s t rin g at a t im e in or de r t o ma in t ai n te n- s io n o n t he nec k an d br id ge . T he p r e s s u r e o f th e s tr in gs hol d s t he br id ge a n d sa d dle s i n p la ce , a nd rem o vi ng al l t he st ri ng s c ou ld ne ce ss it a te a ne w s et up . U se hig h ...

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    23 2 . Be certain the string is wrapped around the tuner post an adequat e n um be r of tim e s. Fo r un wo un d s tr i ng s, at l ea st f iv e t ur ns a ro un d th e m ac hi ne h ea d s te m a re n ec es s ar y . F or w ou nd st ri ng s, two o r t hr ee tu rn s a re ad eq ua te . W ha t g aug e str i ng s sh o ul d be use d? Y ou r Gib so n gui t ...

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    24 NE W TEC H NOLO G Y - THE GIB SO N RO BO T G UIT A R T he I m po ss ib le is No w Po s si bl e. I n t r o du ci ng th e G ib so n R ob ot Gu it ar , th e w or ld ’ s f irs t gui ta r wit h rob ot te ch n ol og y . G i b s o n ’ s Ro b ot Gu it ar is the o nly g ui tar av a il ab le wi th th e au to - tu ni ng sy st em d esc ri b ed h e r e i ...

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    25 T HE M ASTE R C ONT R OL KN OB (M CK ) T he M as ter Con tr ol Kno b not on ly ser ves as the mas te r co nt ro l for all as pec ts o f th is a maz i ng , se lf - tun i ng sy s tem , bu t it wi l l com m un ic at e wi th yo u as you le ar n it s “la n gu ag e .” T he MCK is qui t e pow er fu l an d has ma n y u se s, an d we bel i eve yo u w ...

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    26 c ha nge d to yo ur li kin g , bu t you c an al wa ys r e s t o r e t he fa ct or y d e fa ult s as l a ter de sc r ib ed i n th i s Ow ne r ’ s Ma n ual . T he M C K’ s L ED di s pla y w i ll s h ow v ar i ou s s ym bol s an d c ol o rs an d th e se wil l be e x pl ai ne d i n t he var iou s m o des of oper a ti on a vai la b le to y ou . D ...

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    27 PR EC AUT I ON S: • Nev er tr y to m a nu ally tur n t he tu ni ng p e gs on th e P ow er he ad s u nl es s t hey a re in th e dis e ng ag ed p osi ti on (p u ll ed o ut an d a way f rom the peg h ead ) . • Do not at te m pt to ope n t he co ve r of the p e gh ea d e le ct ron i c s, t he P owe rh e ads , or th e bod y CP U a s th i s w ill ...

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    30 GU ID E TO FU NC TIO NS AND DI SPL A Y MO DES DU RIN G TU N IN G OP ER A T I O N S F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s Instantly Activated T uning (440Hz, EADGBE is factory default) Regular T uning 440Hz, EADGBE E major T uning 440Hz, EBEG#BE Pull MCK out MCK out and turned all the way down to “0” (co ...

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    31 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s DADGAD T uning 440Hz, DADGAD Dropped D T uning 440Hz, DADGBE De lt a Blu es T unin g 44 0Hz, DG DGB D Pull MCK out and tur n to A LED Pull MCK out and tur n to D LED Pu ll MC K o ut and t urn to G LE D A LED shining blue D LED shining blue G L ED s hini ng b lu e Enter ...

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    32 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s E F lat T uni ng 4 4 0 H z , E b A b D b G b B b e b Do ubl e D r o p p e d D T uni ng D A D G B D Pul l MC K ou t and tur n to B LED Pul l MC K ou t and tur n to e L ED B L ED s hin in g blu e e LED s hin ing blu e Enter by pressing the display once— b, #, and all st ...

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    33 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s R e f e r en ce T unin g ( T une to s ele cte d r e f e r ence p itc h) Pu ll MC K o ut an d t u r n t o I LE D I L ED s hini ng r e d Pu ll o ut (d ise nga ge) the peg of the Power h e a d yo u ch oos e to t une t o a r e f e r e nce p itc h. No w tu ne th is st rin g to m atch your ch ...

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    34 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s Cu st om A lter e d T un in g Pu ll MC K o ut an d t u r n t o Peg LED T o c rea te yo ur ow n ”Cu sto m Al ter e d T un ing ,” d isen ga ge eac h P ower hea d of t he st rin g r e q u i r ed and tune it man ual ly to the pitch yo u wa nt. Then pr e s s th e dis play on ce, and th e ...

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    35 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s St rin g U p Mod e St rin g D own Mo de Pul l MC K ou t and tur n to R evol vi ng A rrow LE D Pul l MC K ou t and tur n to R evol vi ng A rrow LE D Re vo lvin g Ar ro w and # L ED s hin e gr e e n Re vo lvin g Ar ro w and # L ED s hin e gr e e n Activate String Up Mode ...

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    36 T O RE STR IN G YO UR ROB OT GU IT A R F ir st en s ur e th at all Pow e rh ea ds ar e d is en ga ge d by pu lli n g th e peg s a wa y fr om the peg he ad . T his i s ve r y i mpo r ta nt ! G uid e ea ch str in g th ro ug h yo ur tai lp i ece , ov er the cen te r of ea ch sa d dl e (w her e con ta ct is e ss en ti al ), an d t hr ou gh th e n ut ...

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    37 N ow y ou ar e re ady to en gag e S t ri ng Up Mod e . MCK s ho ul d be on the gr een re v ol vi ng a r r o w a s d e scr ib e d on th e pr ev io us p age . A ft er t he di sp la y is p res s ed fo r 3 s e con ds , al l st r ing s wil l w in d th e mse l ves cl os e to th eir cor r ec t pi tc hes , wh ere u po n yo u mu st fi ne tu ne yo u r gu ...

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    38 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s In to nati on Mode Activate Intonation Mode by pressing the display for 3 seconds. Strum one of the strings until the accor ding LED shines green. For example, D. After 2 seconds b LED turns off and # LED shines green Pick the same string now in the 12th fret and strum ...

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    39 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s In to nati on Mode For each green LED turn the screw half turn clockwise For each red LED turn the screw half turn counter - clockwise Now a color ed blink code displays the appropriate cor r ection for the intonation scr ew . For example: = 5 half turns clockwise For e ...

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    40 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s C a l i b r a t i o n M o d e Pu ll MC K o ut an d t u r n t o C L ED C L ED s hine s r e d Ac ce ss Cal ib rati on Mo de b y pre ss ing the di spl ay f or 3 s ec ond s. Th e C LE D wi ll shi ne bl ue. Now t urn th e MC K to sel ect your fun da- men ta l fr equ enc y fr o m th e fol low ...

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    41 PL E ASE NOT E: O nce y ou h av e s el ec te d y our de si r ed f un d amen tal , p re ss th e d isp l ay d ow n f or thr e e se co nd s. N ow ch o os e a tu n in g and s tr u m t he s tr ing s. T he G lob a l C al i br at io n O f fs et is ap pli ed to ea ch s el ec te d t un in g. T o c h e ck t he s e l ec t e d G lo b a l Ca l i br at i on O ...

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    42 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s En te r Set up M ode Pul l MC K ou t and tur n all the way down to “0” ( c o u n t e r - c l o c k w i s e ) b a nd # shi ne r e d Press display for 3 seconds. When the display tur ns blue, r elease the display button. Now press the display again for 3 seconds. It w ...

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    43 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s Ex it S etu p M ode with out s avi ng ch ang es Ex it S etu p M ode; s avi ng ch ang es Pus h MCK bac k in Dep end en t on S etu p Mod e fu ncti on las t u t i l i z e d Setup Mode switches of f Setup Mode function applied Y ou can exit Setup Mode at any time Y our Setu ...

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    44 R e s t o r e F a c t o r y D ef ault s Di spl ay S of twa re R e l e a s e En ter S et up Mo de a nd t u r n t o LED D En ter S et up Mo de a nd t u r n t o E LE D a n d p r e ss En ter L E D D s hini ng b lue , Pe g LED sh in es wh ite Pe g LED fla shi ng seq uen c e indi cat es s o f t w a r e r e l e a s e e d i t i o n Res tor ing Fact ory ...

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    45 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s G l o b a l C a l i b r a t i o n O f f s e t On / Of f Ent er S etup Mo de t u r n to L ED C an d p r e ss dis pla y o nce L ED C s hin in g blu e, Pe g L ED sh ine s wh ite T urn MCK left (Counterclockwise) to switch of f Global Calibration r ed B LED indicates OFF T ...

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    46 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s I n s t a n t l y A c t i v a t e d L ast T u n i n g In st antl y Ac ti vate d P r e set T u n i n g Ent er S etup Mo de and turn to LED and pre ss En te r Ent er S etup Mo de and turn to LED and pre ss En te r T urn MCK to I and press Enter T urn MCK to one of the Pre ...

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    47 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s Sp eed / A c c u r a c y S e t t i n g s En ter S et up Mo de a nd t urn to A LE D Pe gs sh in es w hite , A sh in es bl ue P r es s di spl ay on c e. C u r re nt S pee d / Ac cur acy sett in g wi ll be ind ica ted by fl ash in g gre en LE Ds (a s de scr ibe d be low) Th e Powe rt un e ...

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    48 Dy nam ic R un time C o n t r ol On / O ff e F u n c t i o n C o r r e c t i o n On / Of f En ter S et up Mo de t u r n t o G LED an d p r e ss En ter En ter S et up Mo de an d tur n to B LED , p r e ss di spl ay # wi ll be sh in ing g r e e n or b wil l b e shi nin g r e d , G L ED s hine s b lue , Peg LE D sh ine s whi te # wi ll be sh in ing ...

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    49 C A L I B R A TI NG PO WER HEA DS T he Rob ot Gui t ar wi ll b e p re- ca li br a ted f or a s t and ar d .0 10 -.0 4 6 set o f st r ing s . If you c h ang e s tr in g ga uge s , r e s t o r e fac t or y de fa ult s, or are i ns ta ll i ng the s ys te m yo u rs elf , y ou m a y f ir st wan t t o cal i b rat e th e Po we rh e ads in di vid u al l ...

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    50 CH AR GI NG AND BA T T E R Y I NFO RMA T I O N T he R o bo t G ui tar c ome s wi th a b att e ry pa ck c on t ai nin g tw o r e c h a r gea b le b a tt er ie s. A spe c ia l c ha rge r is al so inc l ud ed wit h th e sy s tem . T he ba tter y c h ar ge l e vel is in dic at ed ea ch t im e y ou a ct iv at e yo u r sy st e m, a s in d ic at ed b e ...

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    51 C h a r ge Mo de Pu ll MC K o ut, turn to C L ED an d pr e s s d i s p l a y Y our c urre n t cha r g e le ve l wil l be d isp la yed fo r a bou t 3 sec on ds. T he le vel of c har g e wi ll b e in dic at ed by ho w ma ny g ree n LE Ds y ou se e (b et weeen 1 a nd 1 0). Fo r op tim um pe r f o r m a n c e , y ou wi ll wa nt a ch a r g e le ve l ...

  • Gibson Guitars 1550-07 GUS - page 54

    EMERGENCY CHARGE MODE Th e sys tem has an Em ergen cy Charge Mod e (ECM) if it s r e c h a r ge able bat ter y pack goes c omplet ely ‘dead’ or too low in char ge to run the nor mal Char ge Funct ion . Pull out MCK a nd tu rn it to r ough ly the midd le posit ion . I t’ s OK if th e light s don ’t come on, ECM w ill fix th at. Put all the o ...

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    53 Note: It is r ecommended not to store the guitar with the MCK out, as this will fully drain the battery eventually and Emergency Charge Mode must be employed. SHORT CIRCUIT W ARNING I n th e ev en t of a shor t ci r cu it f ro m n eg at iv e to g rou n d (S tr in gs E o r A to D o r G ) the whi t e peg s ymb o l wil l fl ash . Th is can be cau s ...

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    57 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ...

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    58 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ...

  • Gibson Guitars 1550-07 GUS - page 60

    59 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ...

  • Gibson Guitars 1550-07 GUS - page 61

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  • Gibson Guitars 1550-07 GUS - page 62

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Manufacturer Gibson Guitars Category Guitar

Documents that we receive from a manufacturer of a Gibson Guitars 1550-07 GUS can be divided into several groups. They are, among others:
- Gibson Guitars technical drawings
- 1550-07 GUS manuals
- Gibson Guitars product data sheets
- information booklets
- or energy labels Gibson Guitars 1550-07 GUS
All of them are important, but the most important information from the point of view of use of the device are in the user manual Gibson Guitars 1550-07 GUS.

A group of documents referred to as user manuals is also divided into more specific types, such as: Installation manuals Gibson Guitars 1550-07 GUS, service manual, brief instructions and user manuals Gibson Guitars 1550-07 GUS. Depending on your needs, you should look for the document you need. In our website you can view the most popular manual of the product Gibson Guitars 1550-07 GUS.

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A complete manual for the device Gibson Guitars 1550-07 GUS, how should it look like?
A manual, also referred to as a user manual, or simply "instructions" is a technical document designed to assist in the use Gibson Guitars 1550-07 GUS by users. Manuals are usually written by a technical writer, but in a language understandable to all users of Gibson Guitars 1550-07 GUS.

A complete Gibson Guitars manual, should contain several basic components. Some of them are less important, such as: cover / title page or copyright page. However, the remaining part should provide us with information that is important from the point of view of the user.

1. Preface and tips on how to use the manual Gibson Guitars 1550-07 GUS - At the beginning of each manual we should find clues about how to use the guidelines. It should include information about the location of the Contents of the Gibson Guitars 1550-07 GUS, FAQ or common problems, i.e. places that are most often searched by users in each manual
2. Contents - index of all tips concerning the Gibson Guitars 1550-07 GUS, that we can find in the current document
3. Tips how to use the basic functions of the device Gibson Guitars 1550-07 GUS - which should help us in our first steps of using Gibson Guitars 1550-07 GUS
4. Troubleshooting - systematic sequence of activities that will help us diagnose and subsequently solve the most important problems with Gibson Guitars 1550-07 GUS
5. FAQ - Frequently Asked Questions
6. Contact detailsInformation about where to look for contact to the manufacturer/service of Gibson Guitars 1550-07 GUS in a specific country, if it was not possible to solve the problem on our own.

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