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Manual Sound Performance Lab Model 2591

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  • Sound Performance Lab Model 2591 - page 1

    Mod el 2 5 91 Manual Mi xDre am XP Ana lo g 1 6:2 su mm in g u ni t dB Output Mono Mono Mono Mono 1/2 3/4 5/6 7/8 Model 2591 POWER Variable Output Mono Mono Mono Mono 9/10 11/12 13/14 15/16 Expansion Input Discrete Class A 16 in 2 summing mixer MixDream XP - 1 4 - 1 3 - 1 2 - 7 - 4 0 3 5 7 ...

  • Sound Performance Lab Model 2591 - page 2

    2 Manual MixDream XP Model 2591 Ver s io n 1 . 0 , 5/2 0 0 5 Designer: Ru be n Ti lgne r Thi s ma nu al co ntai ns a de scr iptio n of the pr oduc t. It in n o way represent s a guarantee of par ticular charac terist ics or result s of us e. Th e infor ma tion in t his do cument h as b een c aref ull y compiled and verif ie d and, unless other wis ...

  • Sound Performance Lab Model 2591 - page 3

    MixDre am XP 3 Intro duction .................................................................... 4 An al og vs. Digital Summing ............................................ 4 Advantages And Special Feature s ................................... 5 Mix Dream XP Ad vantages —An O ver view ......................... 5 Connection of Samplers, Keyboards ...

  • Sound Performance Lab Model 2591 - page 4

    4 MixDre am XP Introduction The MixDr ea mXP d esi gn plan provides for stereo mixdown at the analog level. This concept of f ers high- gr ade analog summing without pa norama and fade r con trol s , in tur n allow ing an eng i- neer to retain the entire scope of his computer automation. In use, the M ixDrea mXP requi res almost no depar tures from ...

  • Sound Performance Lab Model 2591 - page 5

    MixDre am XP 5 Adv antages Mix Dream XP Ad vant ages— An O ver view • High -g rad e analo g summing on jus t 1U rac k space f or ama zing signal depth , precis e loc ali zat ion an d a wond er fu l stere o imaging • No anal og mix ing console nece ssar y • No los s of comput er automation • Low er DAW proc ess or util iz ation r ate s • ...

  • Sound Performance Lab Model 2591 - page 6

    6 MixDre am XP It mak es good sens e to thin k abou t wher e you pla ce your Mix Dream XP before c onnecting it. It shou ld be positi oned so that you ca n easi ly reac h it, b ut th ere are ot her con sider at ions. Tr y n o t to pla ce it near h eat so urces or in di rec t sunlig ht , and avoid ex posure to ex ce ssiv e vi br ations, du st, hea t ...

  • Sound Performance Lab Model 2591 - page 7

    MixDre am XP 7 Wiring Re ar P anel/Connections AVIS: RISQUE DE CHOC ÉLECTRIQUE - NE PAS OUVRIR RISK OF ELECTRIC SHOCK DO NOT OPEN CA UTION SERIAL No. MixDream XP S eriennummer WARN ING TO REDUCE RISK OF FIRE OR ELECTRIC SHOCK DO NO T E XPOSE THIS UNIT TO RAIN OR MOISTURE. DISCONNECT MAINS BEFORE REMOVING COVER. THIS EQUIPMENT MUST BE EARTHED. 230 ...

  • Sound Performance Lab Model 2591 - page 8

    8 MixDre am XP The MixDr ea m XP enclosu re is EMC - safe an d effectively shie lded ag ainst HF in ter ference . Nonet heless , you shoul d caref ully con sider where y ou plac e th e unit to avoi d elec tr ic al dist urb ances . The MixDr ea m XP an d all devices to be co nnec ted sh ould be turned o f f befo re c onnections are made. Always turn ...

  • Sound Performance Lab Model 2591 - page 9

    MixDre am XP 9 Main O utput s Th e Ma in Outputs provide a stereo mi xdown for a recording device through elec tronic ally ba lanced XLR output s. Here as a rul e y ou wi ll ro ute th e ster eo mi x thro ugh an A /D conv er ter f or re-re cording as a new D AW track . Monitor Outp ut s The Mon ito r Out put s r un par allel w ith t he Mai n Out s a ...

  • Sound Performance Lab Model 2591 - page 10

    10 MixDre am XP Outp ut C ont rol The Outpu t co ntro l r e gul at es th e Mix Drea mX P out put le vel (at the Main Outs). Its ra nge e x tends f r om -1 4 dB to +7 dB. Wi th this Ou tput Contro l fi na l le v e l s c a n b e ajdus ted to ac comm o- date subsequent A/ D conve r ters . Bec au se th e Main O utp uts and Monito r Ou tput s r un in pa ...

  • Sound Performance Lab Model 2591 - page 11

    MixDre am XP 11 Control Elements GND Li f t Switch (Rear Panel ) The GN D Lif t s wi tch se par ates in ter nal g round f r om cha ssis gro un d. Th e s witc h can b e ac tiv ate d to elimin ate g round l oop humming whic h may o ccur if t he Mi xD ream XP is c onne cte d to unit s wi th a dif f erent g roun d potent ial. T he sw itch sh ould norma ...

  • Sound Performance Lab Model 2591 - page 12

    12 MixDre am XP Mix Dream XP in Mastering Applications Yo u r M i x D r e a m X P is predes tined fo r mast ering applic ations, as we‘ve planne d it s supe rior s ound qu alit y f or jus t such oc ca- sions. Tw o a p p l i c a t i o n s are espec ially interesting: 1) dis crete Master ing, and 2) upsampling to SACD/ DVD -A for mats . 1) Normally ...

  • Sound Performance Lab Model 2591 - page 13

    13 Linking Several MixDream XP dB Output Mono Mono Mono Mono 1/2 3/4 5/6 7/8 Model 2591 POWER V ariable Output Mono Mono Mono Mono 9/10 11/12 13/14 15/16 E xpansion Input Discrete Class A 16 in 2 summing mixer MixDream XP - 1 4 - 1 3 - 1 2 - 7 - 4 0 3 5 7 dB Output Mono Mono Mono Mono 1/2 3/4 5/6 7/8 Model 2591 POWER V ariable Output Mono Mono Mono ...

  • Sound Performance Lab Model 2591 - page 14

    14 Block Diagram ...

  • Sound Performance Lab Model 2591 - page 15

    MixDre am XP 15 A udio P r eci s ion 05/09/05 14: 46: 52 FFT Spec t r um An al ys is 2591 Mi xDr eam XP A- A FFT .a t 2c - 150 +20 - 140 - 130 - 120 - 110 - 100 -90 -80 -70 -60 -50 -40 -30 -20 -10 +0 +10 d B u 2k 20k 4k 6k 8k 10k 12k 14k 16k 18k Hz Expansi o n Inpu t, Fi x O utput Inp ut Level :+ 10dBu A udio P r eci s ion 05/09/05 14: 41: 38 FFT S ...

  • Sound Performance Lab Model 2591 - page 16

    16 MixDre am XP Pow er Supply No effor t or expe nse wa s sp ared h ere. We don’ t kno w of anyone who ma kes good coffee with great be ans and ba d wa ter , and w e don’t k now of anyone who make s grea t sound ing audio equip - ment with mediocre power suppli es. Th e bes t par t s c annot g i ve you a soun d wi tho ut dep e ndable power . Th ...

  • Sound Performance Lab Model 2591 - page 17

    MixDre am XP 17 Freq uenc y rang e: ‹ 1Hz-20 0 k Hz (- 1 dB) THD+ N: -1 03 dBu 20 -22kHz , Input Leve l + 10 dB u Noise Level: -9 7 d Bu 20 -22kHz , A-we ighted Ma x. Inpu t Leve l: +28 d Bu Max . Outpu t Le vel: +2 8 dBu @ 1 k Hz , TH D+ N - 9 5 dB Dynam ic rang e: 12 5 dB 20 -22kHz , A-we ighted Crosstalk L - R: -9 0 dB @ 1 k Hz , Inp ut Le vel ...

  • Sound Performance Lab Model 2591 - page 18

    18 MixDre am XP Guarantee SPL produc ts are guarantee d for a per iod of one y ear ag ains t fa ul ts in ma te ri a ls or w ork mansh ip. Refer to y our loc al suppl ier for full sales an d guar ante e term s. ...

Manufacturer Sound Performance Lab Category Stereo Equalizer

Documents that we receive from a manufacturer of a Sound Performance Lab Model 2591 can be divided into several groups. They are, among others:
- Sound Performance Lab technical drawings
- Model 2591 manuals
- Sound Performance Lab product data sheets
- information booklets
- or energy labels Sound Performance Lab Model 2591
All of them are important, but the most important information from the point of view of use of the device are in the user manual Sound Performance Lab Model 2591.

A group of documents referred to as user manuals is also divided into more specific types, such as: Installation manuals Sound Performance Lab Model 2591, service manual, brief instructions and user manuals Sound Performance Lab Model 2591. Depending on your needs, you should look for the document you need. In our website you can view the most popular manual of the product Sound Performance Lab Model 2591.

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A complete manual for the device Sound Performance Lab Model 2591, how should it look like?
A manual, also referred to as a user manual, or simply "instructions" is a technical document designed to assist in the use Sound Performance Lab Model 2591 by users. Manuals are usually written by a technical writer, but in a language understandable to all users of Sound Performance Lab Model 2591.

A complete Sound Performance Lab manual, should contain several basic components. Some of them are less important, such as: cover / title page or copyright page. However, the remaining part should provide us with information that is important from the point of view of the user.

1. Preface and tips on how to use the manual Sound Performance Lab Model 2591 - At the beginning of each manual we should find clues about how to use the guidelines. It should include information about the location of the Contents of the Sound Performance Lab Model 2591, FAQ or common problems, i.e. places that are most often searched by users in each manual
2. Contents - index of all tips concerning the Sound Performance Lab Model 2591, that we can find in the current document
3. Tips how to use the basic functions of the device Sound Performance Lab Model 2591 - which should help us in our first steps of using Sound Performance Lab Model 2591
4. Troubleshooting - systematic sequence of activities that will help us diagnose and subsequently solve the most important problems with Sound Performance Lab Model 2591
5. FAQ - Frequently Asked Questions
6. Contact detailsInformation about where to look for contact to the manufacturer/service of Sound Performance Lab Model 2591 in a specific country, if it was not possible to solve the problem on our own.

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