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Manual SoundCraft 4

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Summary
  • SoundCraft 4 - page 1

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    Thank you for buying a SPI RIT FOL IO 4 mixer, brought t o y ou with p ride by the S PIRI T team of P eter, Graham, Malcolm, M artin, P eter, B rian, George, Colin, T ony, Jam es, M ukesh, Andy , Candy and Simon. W e hope you have as much fun as we did! Owni ng a SPIRIT c onsole brings you the expertise and suppor t of one of the industr y’s lead ...

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    e This group of switches selects a choice of sources for the STEREO LISTEN switch (see below). Any combination may be selected as required. A built-in 1kHz OSCILLA T OR provides a test tone for system tests or aligning T ape Machines. Press the switch to turn ON the oscillator and feed a 1kHz tone to the MIX and GROUP outputs at a fixed level. DON? ...

  • SoundCraft 4 - page 11

    Normally the Monitor and Phones outputs receive either the Mix signal or the 2 T rack Return signal, depending on the position of the MIX/2TK switch. STEREO LISTEN provides a further choice of sources from Aux Sends 5-8, Groups 1-4 or Stereo Returns PFL. The switches are non-interlocking to allow several sources to be monitored simultaneously . The ...

  • SoundCraft 4 - page 12

    You will probably use your SP IRI T FOLIO 4 with a wide range of different t ypes of sound source, and these wil l be at varying signal levels. It is i m port ant to set the GAIN of the inputs corr ectly to give the best perfor mance. Set up the individual mono input channels as follows: • • Plug in the chosen source (usually the MI C i nput fo ...

  • SoundCraft 4 - page 13

    Wh i le t he connections t o the FO LIO 4 for P A work are quite s traightf orward, recording is rather more dem anding because the m ixer is not only required to mix down input s i gnals but also t o provide a m onitor mix f o r art ists to hear previously recorded tracks when overdubbing new parts. A typical 4-track set- up is as f ollows : • ? ...

  • SoundCraft 4 - page 14

    Balan ced Input 2. Hot(+ ve) 3. Cold( -ve) 1. Screen MONO INPUT CHANNEL Unbala nced Input 1. Scree n 2. Hot(+ ve) Link 3 to 1 Hot (+ve) Cold (-ve) Gnd/Screen Signal Gnd/Screen Gnd/Screen Tip Ring Sleeve Unbalanced Balanced Ba l anc ed M i c Input - X LR 3-Pole Jac k Unbal anc ed M i c Input - X L R MIC INPUT The mic i nput socket at the rear of the ...

  • SoundCraft 4 - page 15

    INSERT The pre-EQ Inser t is a br eak poi nt in the channel signal path. It allows the signal to be taken out of the mixer, t hrough an ex ternal piece of equipment and th en back into the m ixer to c ontinue through to the f inal output. The Insert is a 3-pole ‘A’ gauge jack socket, wh ich is normally bypassed. When a jack is insert ed, th e s ...

  • SoundCraft 4 - page 16

    These contr ol s route t he i nput channel signal to any one or more of eight Auxiliary busses. These combine t he sends from each channel, mixing them to separate outputs on the rear of t he mixer. Since t hey are independent of the main outputs t hey can provide additional sources f or fol dbac k, effec ts processor s or extra loudspeaker ‘fil ...

  • SoundCraft 4 - page 17

    STEREO INPUT CHANNE L S 13-20 STEREO INPUT L & R These i nputs accept 3-pole ‘A’ gauge (T RS) jacks. Use t hese inputs for sources such as keyb oards, d rum machines , synths, t ape machi nes or as re turn s from proce ssin g un i ts . The inputs a re BALANCED for l ow noise and immunit y from interf erence, but you can use UNBALANCED sourc ...

  • SoundCraft 4 - page 18

    Th is send can be pre- fade and used in the same way as Aux S ends 1 & 2 for Foldback or as a Monitor feed, but for Effect s it is more appropriat e for the Aux Send to fade up and down with the fader ( P OST - FADE). A Master Section AUX3 PRE swit ch allows you to switch all channel Aux 3 sends f rom pre- to post- fade across the whole mixer a ...

  • SoundCraft 4 - page 19

    Just like the P FL switches on the channels, you can monitor the AUX 1-4 outputs by pressing the latching AFL switch. This rout es the AUX out put signal to the MONI T O R or PHONES, r epl ac i ng any existing signal (norm ally the Monitor receives e i ther MI X or the Tape Ret urn, depending on the position of the MIX switch - see bel ow). The RIG ...

  • SoundCraft 4 - page 20

    The three colour PPM Bargraph Meters normally fo llow the Monitor selection to show the leve l of the Stereo MIX outputs or 2-T rack Tape Returns, giving you a constant warning of excessive peaks in the signal which might cause overloading. Alternatively they may be switc hed to monitor a choice of Group or Auxiliary outputs, the Stere o Returns or ...

  • SoundCraft 4 - page 21

    STEREO PUBLIC ADDRESS In this basic PA Set-up, v arious sources are connected t o the inputs, microphones t o Mic inputs and keyboards etc. to L ine inputs. Not e that som e gu itars will not produce suff icient level for a direct connect ion, and will requi re a Direct In j ection (DI ) box connected via the microphone input . The output is taken ...

  • SoundCraft 4 - page 22

    PUBLIC ADDRESS - STEREO + SIDE F ILL OR CENTRE F EED In this second example an additional side fill or cent re speaker cluster is driven from Aux 7 & 8, Aux 4 or Aux 3 switched to Post -fade, with individual rotary fader contr ol. Aux 7 & 8 woul d be ideal, since a Group can also fe ed these Aux sends if required. The individual channel Aux ...

  • SoundCraft 4 - page 23

    STEREO RECORDING The console m ay be used for 2-T rack or basic mu l titrack rec ording, l ive or i n the stud i o. T he set up is simi l ar to the previous ex amples, but with the Mix L/ R Output feeding a 2-Track Tape Machine. The t ape outputs are brought back to the console for monitoring via t he 2-Track Tape Ret urns. Aux 1, 2 or 3 (globally ...

  • SoundCraft 4 - page 24

    4-Track Reco rding The console m ay also be used for 4- Track recording. The set up i s similar to the previous exam pl e, but with a 4-track recor der fed from the Group Outputs and brought back for monitoring via 4 line inputs. In this case a compressor /limiter is shown applied t o one of the mic channels via the insert. 23 ...

  • SoundCraft 4 - page 25

    AFL (After Fade Liste n) a function t hat allows the ope rator to mo n itor the post -fa de signa l in a cha nnel indep ende ntly of the main mix. Balance the re lative levels of the l ef t and rig ht chann els of a s tereo signal. Balanced a method of aud io conne ction which ‘balanc es’ the signal bet wee n two wires and a scre en which ca rr ...

  • SoundCraft 4 - page 26

    (Measured 20Hz - 20kHz RMS) Ω (inc. No ise @ 1kHz) (@ 1kHz, typical) Ω 25 ...

  • SoundCraft 4 - page 27

    1 19.37 (4.70") 777.00 (30.59") 470.00 (18.50") 124.00 (4.88") 17.00 (0.67") 410.00 (16.14") Ω Ω Ω 26 ...

  • SoundCraft 4 - page 28

    3 1 2 MONO INPUT CHANNEL STEREO INPUT CHANNEL STEREO RETURNS ▲ ▲ ➚ ➚ ➚ ➚ MASTER SECTION SY STE M BLO CK DIAGRAM 27 ...

Manufacturer SoundCraft Category Home Theater Server

Documents that we receive from a manufacturer of a SoundCraft 4 can be divided into several groups. They are, among others:
- SoundCraft technical drawings
- 4 manuals
- SoundCraft product data sheets
- information booklets
- or energy labels SoundCraft 4
All of them are important, but the most important information from the point of view of use of the device are in the user manual SoundCraft 4.

A group of documents referred to as user manuals is also divided into more specific types, such as: Installation manuals SoundCraft 4, service manual, brief instructions and user manuals SoundCraft 4. Depending on your needs, you should look for the document you need. In our website you can view the most popular manual of the product SoundCraft 4.

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A complete manual for the device SoundCraft 4, how should it look like?
A manual, also referred to as a user manual, or simply "instructions" is a technical document designed to assist in the use SoundCraft 4 by users. Manuals are usually written by a technical writer, but in a language understandable to all users of SoundCraft 4.

A complete SoundCraft manual, should contain several basic components. Some of them are less important, such as: cover / title page or copyright page. However, the remaining part should provide us with information that is important from the point of view of the user.

1. Preface and tips on how to use the manual SoundCraft 4 - At the beginning of each manual we should find clues about how to use the guidelines. It should include information about the location of the Contents of the SoundCraft 4, FAQ or common problems, i.e. places that are most often searched by users in each manual
2. Contents - index of all tips concerning the SoundCraft 4, that we can find in the current document
3. Tips how to use the basic functions of the device SoundCraft 4 - which should help us in our first steps of using SoundCraft 4
4. Troubleshooting - systematic sequence of activities that will help us diagnose and subsequently solve the most important problems with SoundCraft 4
5. FAQ - Frequently Asked Questions
6. Contact detailsInformation about where to look for contact to the manufacturer/service of SoundCraft 4 in a specific country, if it was not possible to solve the problem on our own.

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