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ARRI ARRIFLEX 416 - page 1
Quiet, Bright and Light ARRIFLEX 416 ...
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ARRI ARRIFLEX 416 - page 2
2 35 F ormat F ea tures in a Super 16 Camer a Continuous advances in lenses, lm stock and postpr oduction technologies hav e elevated the Super 16 lm f ormat to new lev els of image quality and production efciency . Super 16 is no w routinely used for standard and high denition tele vision productions, feature lms, commercials and do ...
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ARRI ARRIFLEX 416 - page 3
3 ARRI | ARRIFLEX 416 Main F eatur es n 35-style Vie wnder · brighter , higher contrast, higher resolution · bigger exit pupil allows more e ye mov ement · multi-color RGB ARRIGL OW · accommodates even wide diameter PL mount lenses · excellent optical quality with e yepiece extension n The Quietest 16 mm Camer a · 416 & 416 Pl ...
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ARRI ARRIFLEX 416 - page 4
4 I Can See Clearly Now T o capture the images you w ant, you hav e rst to see them clearly . So viewnder quality is crucial if an operator is to accurately app- raise images, especially with 16 mm. The optical vie wnder on the 416 cameras makes it easy to judge f ocus, create a precise image composition, and work comf ortably and efcie ...
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ARRI ARRIFLEX 416 - page 5
5 ARRI | ARRIFLEX 416 The ARRIFLEX 416 cameras' optical vie w- nder uses a completely new optical design, resulting in signicantly higher contrast, higher resolution and a brighter image. ...
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ARRI ARRIFLEX 416 - page 6
6 u Mirror Shutter A half-moon shaped mirror rotates in front of the lm gate at the camera speed. Half of the time the mirror cov ers the lm and the light from the taking lens is reected up into the viewnder . During that time, the lm is transported one frame further . The other half of the time the mirror leav es the light path open ...
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ARRI ARRIFLEX 416 - page 7
7 ARRI | ARRIFLEX 416 Advantages of Optical V iewnders Optical viewnder s, as used in all ARRI cameras, provide by f ar the most comfortable, accurate and efcient w ay to work when capturing images. Operators see a bright and sharp, full color image and are able to accurately judge focus. By their v ery nature, optical viewnders ha ve z ...
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ARRI ARRIFLEX 416 - page 8
8 RGB ARRIGL OW With the ne w RGB ARRIGLOW , you can choose any color y ou like. Set ev enly illuminated framelines in magenta when shooting green screen, red for jungle or yello w for blue skies. Y ou can, of course, also mix your o wn ARRIGL OW grey . Integra ted V ideo Assist The 416 cameras' vie wnder is accompanied by a video assist wi ...
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ARRI ARRIFLEX 416 - page 9
9 ARRI | ARRIFLEX 416 Mix Y our Own RGB ARRIGLOW Color n Use magenta for green screen n Red for jungle n Y ellow for blue skies n Mix your own gre y HDTV 1.78 HDTV 1.78 HDTV 1.78 HDTV 1.78 ARRIFLEX 416 Vie wfinder Image n Higher contrast, higher resolution, brighter image n Easier to judge focus on the set n? ...
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ARRI ARRIFLEX 416 - page 10
10 T he Sound of Silence The 416 cameras use a completely ne w sound insulation design that makes the 416 and 416 Plus as quiet as an ARRIC AM and allows the 416 Plus HS to record a very stable image ev en at higher frame rates. An inner skeleton is suspended by symme- trically positioned rubber insulators in an outer shell. T he camera's move ...
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ARRI ARRIFLEX 416 - page 11
11 ARRI | ARRIFLEX 416 The magazine is driv en by an internal silent motor and uses the same insulating technique as the camera body , ensuring completely quiet operation. u body outer shell v body inner skeleton w body rubber insulators x magazine outer shell y magazine inner skeleton U magazine rubber insulators 4 5 2 6 1 6 ...
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ARRI ARRIFLEX 416 - page 12
QUIET BRIGHT & LIGHT ...
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ARRI ARRIFLEX 416 - page 13
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ARRI ARRIFLEX 416 - page 14
14 ARRIFLEX 416 Models ARRIFLEX 416 Super silent and equipped with basic electronics A RRIFLEX 416 Plus Super silent & exible with built -in accessory electronics and radio for wireless remote control ARRIFLEX 416 Plus HS Super fast for slo w-motion effects with built-in accessory electr onics and radio for wireless remote control Speed Rang ...
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ARRI ARRIFLEX 416 - page 15
15 ARRI | ARRIFLEX 416 Compact, Lightweight and F ast One of the reasons cinematographers and producer s with demanding schedules choose to shoot Super 16 is the faster pr oduction pace afforded by smaller and lighter equipment. A Super 16 camera ts into any location, can be mounted to almost anything and can be quickly used on the shoulder . T ...
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ARRI ARRIFLEX 416 - page 16
16 PL Mount and Lenses The 416 cameras use the industry standard 54 mm stainless steel PL mount. T he stable backfocus aff orded by the PL mount and by the robust camera construction is a hallmark of all ARRI lm cameras. The PL mount mak es the vast selection of high quality lenses f or the Super 16 and 35 mm formats a vailable to the ARRIFLEX 4 ...
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ARRI ARRIFLEX 416 - page 17
17 ARRI | ARRIFLEX 416 The Ultra Primes: T2.8/8, T2.1/10, T2/12, T1.9/14, T1.9/16, T1.9/20, T1.9/24, T1.9/28, T1.9/32, T1.9/40, T1.9/50, T1.9/65, T1.9/85, T1.9/100, T1.9/135 and T1.9/180 mm The Ultra 16 lenses: 6, 8, 9.5, 12, 14, 18, 25, 35 and 50 mm, all T1.3 ...
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ARRI ARRIFLEX 416 - page 18
18 Control and P ow er The simple to use contr ol panel on the 416 range should be familiar to any one who has ever w orked with a modern ARRI camera, since the 416 cameras hav e inherited the 235's control panel design and illuminated buttons. All three 416 cameras can therefore be operated without further training and the setting of any oper ...
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ARRI ARRIFLEX 416 - page 19
19 ARRI | ARRIFLEX 416 The OBB-2 connects to the 416 cameras thr ough a new , but backwards-compatible pow er connector. ...
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ARRI ARRIFLEX 416 - page 20
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ARRI ARRIFLEX 416 - page 21
21 ARRI | ARRIFLEX 416 T he 416 Camera System The ARRIFLEX 416 cameras are complemented b y a range of new and existing accessories that follo w the same design philosophy used in the creation of the 416 body and magazines: increasing efciency on the set. T wo handles ha ve been designed: one for normal use, one f or remote. These include such d ...
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ARRI ARRIFLEX 416 - page 22
22 T echnical Data ARRIFLEX 416 ARRIFLEX 416 Plus ARRIFLEX 416 Plus HS Fps 1-75 1-150 Speed can be varied while camera runs Ramps possible with Remote Control Unit RCU-1, W ireless Remote Control WRC-1, WRC-2 and Iris Contr ol Unit ICU-1 Shutter Manually adjustable to: 45, 90, 135, 144, 150, 172.8, 180 degrees Film F ormat Super 16 mm, conforming t ...
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ARRI ARRIFLEX 416 - page 23
23 ARRI | ARRIFLEX 416 ...
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ARRI ARRIFLEX 416 - page 24
Thi s AR RIFL E X 41 6 pr od uc t br oc hur e (K5. 40 4 59.0 ) is pu bli sh ed by A rn ol d & Ric hte r Cin e Techni k, A pr il 01, 200 8 © AR RI /20 0 8 Techni ca l dat a an d of fe rin gs ar e sub je ct to c ha nge w it hou t not ic e. A ll ri ght s re se r ved . Wi tho ut any w arr an ty. No t bin din g 04 / 20 08 . AR RI is a r eg ist er e ...
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