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Manual Sound Performance Lab 2053

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Summary
  • Sound Performance Lab 2053 - page 1

    24/96 AD-DA Co nv erter Manual Model 2053 ...

  • Sound Performance Lab 2053 - page 2

    Manual 24/96 AD-DA Converter 2053 2 24/96 AD-DA Converter 2053 V ersion 1.0 – 8/2000 The information in this document has been carefully verified and is assumed to be correct. However Sound Performance Lab (SPL) reserves the right to modify the product described in this manual at any time. Changes without notice. This document is the propert y of ...

  • Sound Performance Lab 2053 - page 3

    Con t en t s 3 24/96 AD-DA Converter 2053 Security Advices ................................................................ 4 Product Description ......................................................... 4 Mounting General Information ................................................. 5 Steps 1 and 2 ................................................. ...

  • Sound Performance Lab 2053 - page 4

    Security Advices 4 24/96 AD-DA Converter 2053 • Please consider referring the installation of the unit operating the converter the safety information in the corresponding operation instruction. • Please carr y out the self-installation only as descri- bed from page 5. In case of queries please contac t an expert. The SPL conv erter module 2053 ...

  • Sound Performance Lab 2053 - page 5

    5 24/96 AD-DA Converter 2053 External synchronization: For synchronization with external sources, AES-data or W ord-Clock signals can be used as sync sources. Alternatively the A/D conv erter can be synchronized to the data adjacent to the D/A converter . For int ernal/external synchroniza- tion please refer to the chapter "Operation", fr ...

  • Sound Performance Lab 2053 - page 6

    Mounting Steps 1 and 2 6 24/96 AD-DA Converter 2053 Step 1: Please put the converter module as illust- rated on the unit top and remov e the screws of the cover from the back of the upgrade unit. Step 2: Please remove the mounting of the wiring on the back of the cover (eventually cut off the silicon). Socket Socket Connector ...

  • Sound Performance Lab 2053 - page 7

    Mounting Steps 3 and 4 7 24/96 AD-DA Converter 2053 Step 3: Connect the cable carefully , without turning, to the socket of the converter . Guideways on socket and plug exclude a wrong connection. Step 4: Put the converter , as illustrated, without lateral turning in the unit (circuit board above , connection sockets on the head) and connect it wit ...

  • Sound Performance Lab 2053 - page 8

    C onnections 8 24/96 AD-DA Converter 2053 The conv erter module provides analog, balanced XLR outputs ( 1 ), digital XLR I/Os (AES/EBU) ( 2 ) and digital S/P-DIF I/Os ( 3 ). In case of using the S/P-DIF output as a WC/AES SYNC input, the S/P-DIF output is no longer available . Important: please never use AES- and S/P- DIF digital inputs simultaneou ...

  • Sound Performance Lab 2053 - page 9

    C onnections 9 24/96 AD-DA Converter 2053 Digital I/Os AES/EBU: Inputs and outputs according to the AES/EBU specification for the connection of all digital units specified in accordance to AES/EBU. S/P-DIF: Alternatively to the digital XLR-sockets, the S/P-DIF I/Os can be used for the connection of digital units. The S/P-DIF output (=WC/AES SYNC IN ...

  • Sound Performance Lab 2053 - page 10

    Operation 10 24/96 AD-DA Converter 2053 AD MODE Switch The AD MODE switch is used to set the desired bit mode and sample rate. The follo- wing list explains the respective switch positions: 16 Bit Mode E = AES Ext. Synchronization to AES clock D = DA Synchronization zum D/A conv erter C = WC Ext. Synchronization to wor d clock B = 48 Int. Synchroni ...

  • Sound Performance Lab 2053 - page 11

    Operation 11 24/96 AD-DA Converter 2053 External Synchronization External Synchronization (Connection via W/C-AES SYNC INPUT ) is required when several signals must be brought together within a chain of digital units, e.g . when connecting several digital units at one console. Since the sample frequencies are never exactly iden- tical, not synchron ...

  • Sound Performance Lab 2053 - page 12

    Applications 12 24/96 AD-DA Converter 2053 CHANNEL ONE: Using both conv er ters Referring to the CHANNEL ONE, the separate use of both converters can be for example the con version of digital signals independent from the A/D converter and to reproduce them in best tonal quality on louds- peakers or headphones. Example: High-quality con version of a ...

  • Sound Performance Lab 2053 - page 13

    Applications 13 24/96 AD-DA Converter 2053 Monitoring in 24Bit/96kHz A high standard of monitoring is necessary for judging the recording quality . Therefor e all digital signals have to be con verted into analog signals to allow reproduction on loudspeakers or headphones. The A/D conv erter stage is equipped with high- quality components and ensur ...

  • Sound Performance Lab 2053 - page 14

    Applications 14 24/96 AD-DA Converter 2053 Example 1: Processing a sampler's signal Connect the output of the sampler via AES/EBU or S/P-DIF interface with the input of the converter . The adjustment described in the section above now allows to process the sampler's signal. If the processed signal is to be returned digitally converted to ...

  • Sound Performance Lab 2053 - page 15

    Specifications 15 24/96 AD-DA Converter 2053 A/D Con ver ter W ordwidth ................................... 24 Bit Reduced W ordwidth ................ 16 Bit Dither ............................................ triangular Internal sample rates .............. 44.1/48/88.2/96 kHz External sample rates .............. 32-96 kHz Sync sources ............ ...

  • Sound Performance Lab 2053 - page 16

    Block Diagram 16 24/96 AD-DA Converter 2053 ...

  • Sound Performance Lab 2053 - page 17

    Measurements 17 24/96 AD-DA Converter 2053 D/A: THD & N abov e input lev el D/A: THD & N @ 1 kHz FFT ...

  • Sound Performance Lab 2053 - page 18

    Measurements 18 24/96 AD-DA Converter 2053 A/D: THD & N above input le v el A/D: THD & N @ 1 kHz FFT ...

  • Sound Performance Lab 2053 - page 19

    Wa r ra nt y 19 24/96 AD-DA Converter 2053 SPL electronics GmbH (hereafter called SPL) products are warranted only in the country where purchased, through the authorized SPL distri- butor in that country, against defects in material or workmanship. The specific period of this limited warranty shall be that which is described to the original retail ...

  • Sound Performance Lab 2053 - page 20

    Sound Performance Lab Sohlweg 55 D-41372 Niederkruechten Germany T el. +49 • 2163 • 9834-0, F ax -20 info@soundperformancelab.com www .soundperformancelab.com 24/96 AD-DA Converter , Model 2053 ...

Manufacturer Sound Performance Lab Category Welding System

Documents that we receive from a manufacturer of a Sound Performance Lab 2053 can be divided into several groups. They are, among others:
- Sound Performance Lab technical drawings
- 2053 manuals
- Sound Performance Lab product data sheets
- information booklets
- or energy labels Sound Performance Lab 2053
All of them are important, but the most important information from the point of view of use of the device are in the user manual Sound Performance Lab 2053.

A group of documents referred to as user manuals is also divided into more specific types, such as: Installation manuals Sound Performance Lab 2053, service manual, brief instructions and user manuals Sound Performance Lab 2053. Depending on your needs, you should look for the document you need. In our website you can view the most popular manual of the product Sound Performance Lab 2053.

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A complete manual for the device Sound Performance Lab 2053, how should it look like?
A manual, also referred to as a user manual, or simply "instructions" is a technical document designed to assist in the use Sound Performance Lab 2053 by users. Manuals are usually written by a technical writer, but in a language understandable to all users of Sound Performance Lab 2053.

A complete Sound Performance Lab manual, should contain several basic components. Some of them are less important, such as: cover / title page or copyright page. However, the remaining part should provide us with information that is important from the point of view of the user.

1. Preface and tips on how to use the manual Sound Performance Lab 2053 - At the beginning of each manual we should find clues about how to use the guidelines. It should include information about the location of the Contents of the Sound Performance Lab 2053, FAQ or common problems, i.e. places that are most often searched by users in each manual
2. Contents - index of all tips concerning the Sound Performance Lab 2053, that we can find in the current document
3. Tips how to use the basic functions of the device Sound Performance Lab 2053 - which should help us in our first steps of using Sound Performance Lab 2053
4. Troubleshooting - systematic sequence of activities that will help us diagnose and subsequently solve the most important problems with Sound Performance Lab 2053
5. FAQ - Frequently Asked Questions
6. Contact detailsInformation about where to look for contact to the manufacturer/service of Sound Performance Lab 2053 in a specific country, if it was not possible to solve the problem on our own.

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